10,193 Royalty-Free Audio Tracks for "Manchukuo In The 1930s"

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02:09
Eagle Song of the Hopi Indians in Arizona, recorded on phonograph cylinder by Otto Abraham. Saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
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01:60
Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.
Author: Irving Berlin (1888-1989) Irving Kaufman
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03:25
A 1919 performance of the 1918 song Till We Meet Again by the Nicholas Orlandos Orchestra.
Author: Written by Richard A. Whiting, the lyrics by Raymond B. Egan. Perfomed by the Nicholas Orlandos Orchestra
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03:15
Cherry Navarro, durante su última actuacion en televisión. Cherry Navarro, durante su última actuacion en televisión.
Author: Creator7th
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00:13
Pronunciation of the Latin prayer Ave Maria Italiano: Pronuncia della preghiera latina Ave Maria
Author: Geremia
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04:05
sample - rusavuki
Author: Starit
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00:15
The "bad guy" or "curse" motif familiar from all over the place.
Author: Hyacinth
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04:07
Rusavuki (new sample)
Author: Starit
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03:06
Felix Mendelssohn Bartholdy, Songs Without Words, Book 2, Op. 30, No. 6, Allegretto tranquillo in F-sharp minor ("Venetian Gondola Song No. 2") Felix Mendelssohn Bartholdy, Lieder ohne Worte, Heft 2, op. 30, Nr. 6, Allegretto tranquillo in fis-Moll, "Venetianisches Gondellied Nr. 2" Piano: Membeth, Dezember 2011
Author: Membeth
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14:05
Ballade Nr. 4 f-Moll op. 52 Ballade No. 4 in F minor, Op. 52 Ballada f-moll op. 52
Author: Untitled
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03:10
Composed by Teng Yu-hsien, written by Lin Lin-chiu, published in 1933 by the Columbia Records at Taiwan of the Japanese Empire.
Author: Columbia Records
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01:57
A live recording from the KWKH Louisiana Hayride out of Shreveport, LA: George Jones sings I'm Ragged But I'm Right Live-Mitschnitt des KWKH Louisiana Hayrides aus Shreveport, LA: George Jones singt I'm Ragged But I'm Right
Author: Traditional
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01:21
This song is an instrumental version of the Internationale voiced by a member of the Organization of Struggle for the Emancipation of the Working Class. It was released on a cassette tape prepared by group and released in Iran circa 1980.
Author: Untitled
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02:29
Volte, no. 201 from Terpsichore, Musarum Aoniarum, performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 4 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]
Author: Untitled
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03:37
Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: Johann Sebastian Bach (1685-1750) (see Musopen for performance author information)
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03:29
Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.
Author: Irving Berlin (1888-1989) Arthur Fields (1888-1953)
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03:16
The Glory of the Yankee Navy performed by the USMC Band. March, “The Glory of the Yankee Navy" (1909) - The musical comedy The Yankee Girl was in need of a spirited march, so Sousa was prevailed upon to provide one. The march, one of Sousa’s most interesting musically, was dedicated to the star of the show, Blanche Ring. Lyrics were provided by Kenneth S. Clark. The title underwent a process of evolution. The earliest known manuscript was labeled “Uncle Sam’s Navy.” Prior to the opening, newspapers referred to the march as “The Honor of the Yankee Navy.”
Author: Untitled
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03:59
Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853
Author: Composed by Johann Sebastian Bach, performed by Kimiko Ishizaka
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00:51
The University of Greenwich Choir sings In the Bleak Midwinter inside the chapel of the Old Royal Naval College in preparation for the annual carol concert. Also shows images of our snow-covered campuses.Discover more about the University of Greenwich Choir.https://www.gre.ac.uk/about-us/music/choir
Author: University of Greenwich
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04:02
Up High performed by the Concert Band of the United States Air Force Band. Track 30 from Heritage to Horizons (2007).[1] Previously published as track 6 from Such Brave Defenders (2006).[2][3][4]
Author: Composition: Ira Ostrowski and Matthew G. Ascione; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force Band
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02:13
Invictus performed by the Concert Band of the United States Air Force Band. Track 15 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2]
Author: Composition: Karl King; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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02:46
1915 McKee Trio recording of the Carrie Jacobs-Bond song "A Perfect Day"
Author: Carrie Jacobs-Bond (1862–1946)
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02:58
Banda De Policia De Mexico - Himno Nacional Mexicano 1928
Author: Musica de Jaime Nunó y letra de Francisco González Bocanegra
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03:11
St. James Infirmary performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Full Circle (2011). Larry H. Lang, conducting.[1][2][3]
Author: Composition: traditional; Arrangement: Tim Allums; Performance: United States Air Force Academy Band, Stellar Brass; Recording: United States Air Force
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03:19
That's Why performed by the Concert Band of the United States Air Force Band. Track 29 from Heritage to Horizons (2007).[1] Previously published as track 1 from Such Brave Defenders (2006).[2] Also published as track 14 from Imagine the Possibilities (2009).[3][4]
Author: Composition: John Henley; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force Band
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02:54
The Tale of the Seashell, performed by Sousa's Band with cornet solo by Walter B. Rogers. Number 2470 on the Victor Monarch label. Ten-inch disc with matrix B-314.
Author: The Victor Talking Machine Company, John Philip Sousa, Walter B. Rogers
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Nadezhda Plevitskaya - Za morem sinichka / Tit lives beyond the sea (dance song).Надежда Плевицкая - За морем синичка (плясовая песня).
Author: Untitled
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03:15
The Laverne Waltz Caprice, composed and played by alto saxist H. Benne Henton. It was published in 1911 and recorded by the Victor Talking Machine Company by March 1912. Das Laverne Walzer Capriccio, komponiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es wurde 1911 veröffentlicht und im März 1912 für die Victor Talking Machine Company aufgenommen.
Author: H. Benne Henton & unknown Band
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